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Category: <span>Clips</span>

Luck

INTERVIEW: Lady Luck Bombs On Remy Ma, Ms. Hustle, & DJ Kay Slay During #DXLive

Originally posted on HipHopDX 7/31/2017

Throughout the years, Lady Luck has had her fair share of ups, downs, and industry beefs. As a straight shooter, Luck has never been one to bite her tongue or mince her words. The New Jersey-born wordsmith recently stopped by the DXHQ with her fiancé and business partner Somaya Reece to chop it up with the #DXLive team about new ventures, music, and rap feuds — both old and new.

As anyone with two ears very well knows, the topic of rap beef always looms with Hip Hop. Luck explains how her beef with Remy Ma has evolved and where it is today. 

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Casanova

INTERVIEW: Casanova 2X Describes How Chris Brown Pushes Him To Be Great

Originally posted on HipHopDX 7/9/2017

It’s not every day you can turn on a Hip Hop record and feel an authenticity once reserved for the genre. For Flatbush MC Casanova 2X, that’s not an issue. Having served three separate stints in the New York prison system for everything from selling drugs to assault with a deadly weapon, the Brooklyn Knight’s music oozes reality. Perhaps the most remarkable aspect of his journey is that Casanova has only been rapping for a year and has a deal with Memphis Bleek’s Warehouse Music Group imprint. Cas recently stopped by the DXHQ to talk shop with the #DXLive team about the lack of authenticity in Hip Hop, his journey to get where he is now, and how Chris Brown pushes him to be a better artist.

Unlike most, Cas never thought about being a rapper. It’s something that fell into his lap. “You hear ‘Boom boom boom’ everybody getting shot but really dudes not shooting nobody,” Cas exclaims. “I can say I shot people because I went to jail for it but these dudes that are rapping these days are really not what they say they are,” Cas exclaims. “It’s music. I never really wanted to be fake but I guess after I went through what I went through I had a story to tell. I been around a lot of rappers and I was like, ‘I can do that.’ Once you go to the studio with somebody and see how they come up with something it’s like, ‘hold on let me try it myself.’ That’s how it happened.”

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Bizzy

INTERVIEW: Bizzy Bone Talks Why He Refuses To Watch Both 2Pac & Biggie Biopics

Originally posted on HipHopDX 6/28/2017

While the 90s were being dominated by the boom-bap of the East Coast and the G-funk gangsta rap of the West Coast, there was a different sound independent of both coasts brewing in the Midwest. Chicago introduced the rapid-fire flow to the game in 1992 with Twista and Crucial Conflict opted for more style than speed in 1993; but in 1994, an unknown quintet from Cleveland would catch the ear of Eazy-E and marry the rapid-fire flow and style together in perfect harmony. Bone Thugs-n-Harmony has been a pillar of the genre for more than two decades. Just two days after the 23rd anniversary of one of the most important albums to come out of the Midwest, Creepin on ah Come Up, group members Bizzy Bone and Krayzie Bone released their collaborative album New Waves under the moniker Bone Thugs. Bizzy Bone recently stopped by DXHQ to talk with the #DXLive team about the album, his son carrying his torch, and his memories of 2Pac and Notorious B.I.G.

On a recent episode of #DXLive, the team debuted a new single and video “Bizzy’s In The House” from Bizzy Bone’s son Lil Bizzy. “He’s been musically inclined since he was a baby,” Bizzy Bone said. “I never had to rock him to sleep. We’d put him on the couch and he’d just rock himself to sleep mumbling words, mumbling rap music. Anything that would come on he would mumble it and emulate it, especially my stuff of course – and his uncles, Bone Thugs. He was born to do this. It’s just good to see him carry on a legacy that I’m still cherishing as we speak.”

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MC Eiht

INTERVIEW: MC Eiht Reveals Origins Of Shelved Movie Opposite Bernie Mac & Lisa Raye

Originally posted on HipHopDX 6/27/2017

Perhaps one of the biggest mysteries of MC Eiht’s career is that we never saw him in a major role on the big screen after his standout performance in Menace II Societyas the cap-pillin’ South Central native, A-Wax. While the Compton MC explains his lack of interest in Hollywood, he divulges of a potential Blackbuster hit that was seized by the feds before it could ever see the light of day. 

“I’ve never really actually went after movie roles,” Eiht explained during a recent episode of #DXLive.” [If] somebody felt that I was fit for a part or do good in a particular situation then I would usually just let them come and ask me if I wanna get down. As far as like getting an agent and going after movie roles, I never got into that. I was strictly emceeing. That was my thing. A lot of times when you get into the Hollywood thing, you gotta conform to somebody you really don’t want to be or they try to change you into something. I just felt that trying to keep my own authentic direction with music that I wouldn’t go after roles. It’s not like people didn’t call me but a lot of stuff was comedy shit, a lot of stuff was Uncle Tom shit so I just backed away from it. I did Menace II Society and then that came with Thicker Than Water and then I had a little role in the Freeway Rick story. Just little bullshit. Who Made The Potato Salad, I did a little role. Then I shot a movie in Chicago that was called Reasons but it was government, political drug shit so they seized the movie and it never came out. We shot this movie maybe 15 years ago. Bernie Mac was in it. Lisa Raye was in it. It was a drug movie. A dude called Nathaniel Hill; he was a pretty big drug dealer and he basically made a movie about it. They seized the movie because he basically told the story of how he came up. He was on a worldwide run, they extradited him from Africa. We shot it in Chicago. It took us maybe four months to shoot it. Real big movie. Spike Lee’s producer [Monty Ross] directed it. It was gon’ be a big, large movie. I played the lead role. It was a real neighborhood pic but it was governments and indictments and courts and all that; followings and grand jury’s so they basically seized the movie.”

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Boomiverse

ALBUM REVIEW: No Oomph In Big Boi’s “Boomiverse”

Originally posted on HipHopDX 6/26/2017

For a legend that helped usher in an entire city and region to prominence, Big Boi is comfortably perched within the lexicon of Hip Hop icons. There’s no denying Daddy Fat Sax’s dominance and confidence throughout his career. Unfortunately, the ATLien’s solo game hasn’t paralleled his tenure within the mighty Outkast and his fourth (if you rightfully count the Grammy Award-winning Speakerboxxx) solo effort in Boomiverse isn’t going to change that. 

Sonically, Boomiverse traverses through a landscape of overused synths to force a cosmic, universal theme devoid of the “boom” the title alludes to. What should have been a blockbuster affair with all-star Hip Hop production courtesy of Organized Noize, DJ’s Dahi and DJ Khalil, Scott Storch, and Mannie Fresh largely comes up short in an attempt to incorporate too many musical genres into one singular product. The finished result is a clusterfuck of inconsistent harmonies, which will surely bring out the Nick Young puzzled faces.

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Step Brothers

INTERVIEW: Starlito & Don Trip Talk Why Rappers Still Sign to Cash Money & Post Malone’s Supposed Culture Appropriation

Originally posted on HipHopDX 5/17/2017

When two accomplished solo rappers come together to record an album together, the outcome isn’t always cohesive. That’s not the case for Tennessee MC’s Starlito and Don Trip. Fresh off the heels of their third collaborative album, Step Brothers THREE, the Memphis and Nashville representatives stopped by the #DXLive set to discuss where they slot their latest album amongst their other group projects, Starlito’s time on Cash Money, and whether or not Post Malone’s platinum, chart-topping single “White Iverson” divulged in the culture appropriation realm. 

“I put my all into everything I’m doing and with the Step Brothers project, that’s even more [of a] collective so if we was gon’ go in subpar we’d be wasting each other’s time on top of our own time,” Don says emphatically.

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GMFU

INTERVIEW: Adrian Marcel Recalls Raphael Saadiq Getting Turnt At Clive Davis’ Grammy Party

Originally posted on HipHopDX 5/16/2017

All it takes is a chance encounter with the right person to change the course of your life. Oakland-bred rhythm-and-rhyme crooner Adrian Marcel knows that all too well when he broke down how he first met Raphael Saadiq with the #DXLive crew. “It was so low key because I really wasn’t [there to do] any business with him like that,” Adrian recalls. ‘We showed up on some other stuff. My manager was talking about another artist with him and we just was chopping it up [like] regular. He asked me where I was from; we got into the whole Oakland conversation, the Raiders [and] all kinds of just random stuff. Then it was just ‘Well what do you do?’ I put [some music] on and everything we were there for just kinda got thrown to the left and he was like, ‘Let’s talk about this. What are you doing with this? What’s the plan?’”

That meeting set his career into high gear as Raphael provided an outlet for Adrian to grow. “It turned into a mentorship. I can always call [and ask], ‘What do you think about this record, what do you think about putting this on this project?’ It’s always a real legit answer [like], ‘Yeah I like that, that’s dope for you’ or, ‘I think you just like that song.’ It’s been a lot of direction he has given me.”

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Symba

INTERVIEW: Bay Area Rapper Symba Reveals Origins Of Columbia Records Deal

Originally posted on HipHopDX 5/15/2017

The ultimate dream of signing to a major label is usually reserved and highlighted by the rap stars who’ve already accomplished so much independently — which makes Bay Area rapper Symba’s story that much more special.

The 26-year-old up-and-comer represents a different generation in Hip Hop. One whose formative years were forged in the aftermath of Diddy’s shiny suit era. Coming off his HipHopDX premiere of “Get the Time,” Symba sat down and discussed the origins of his name, how his deal with Columbia Records came about, and his inspiration.

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Happy Birthday

INTERVIEW: GRAMMY Award-Winning Artist Poo Bear Explains Problems With Streaming Royalties

Originally posted on HipHopDX 5/15/2017

Happy Birthday! 

Multiple Grammy award-winning songwriter Jason “Poo Bear” Boyd recently stopped by the DXHQ to chat with the #DXLive team and promote his Red Bull documentary, Afraid of Forever. With his signature icebreaker greeting, “Happy Birthday,” Poo Bear laid out some knowledge about how he met Justin Bieber, his personal fears, and how the music industry is giving music creators the short end of the stick.

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Dear White People

INTERVIEW: “Dear White People’s” Justin Simien Scoffs At The Fake Mad Netflix Outrage

Originally posted on HipHopDX 5/4/2017

For Justin Simien, his path to Hollywood has been one mired in the kind of racism you would expect a black man to experience. After the success of his acclaimed and highly publicized movie Dear White People, Simien has followed it up with a show of the same title on Netflix. While the show currently has a perfect rating on the notoriously critical Rotten Tomatoes, Simien discusses how that path hasn’t always been so kind to him.

“[I experienced backlash] from day one,” Simien recalls during his recent segment on #DXLive. ‘The thing is [that] I incorporated it all into the movie. Anything negative people said, any knee-jerk reaction people had literally verbatim, their words are in the movie. Because, to me, that’s all a part of it. The fact that as a black artist I have to endure the knee-jerk [reactions] from the majority? That’s kind of what I’m talking about here. ‘Stuff White People Like’ I don’t remember that getting backlash [and] I don’t remember seeing people protest Stephen Colbert’s ‘Hey White People’ but because it’s a black guy saying the words white and people together, I don’t know, that just freaks people out.”

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