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Tag: <span>Eazy-E</span>

Regulator

INTERVIEW: Warren G on His YouTube Original Documentary ‘G-Funk’ & His Influence on Rap: ‘I’m the G-Funk Era’

Originally posted on Billboard 7/31/2018

When you think of the pioneers of West Coast rap, there are a handful of names that come to mind: Dr. Dre, Ice Cube, 2Pac, Eazy-E, Snoop Dogg, E-40, Too $hort. Arguably the most deserving name, however, is consistently glossed over. Warren G, as both an artist and producer, is one of the most important names to the culture, and you might not even know why.

The pioneer of the G-funk era not only ushered in a new musical subgenre, but was personally responsible for introducing Snoop Dogg, Kurupt and Daz Dillinger to Dr. Dre, along with being instrumental in helping to shape the sound of Dre’s first solo album, The Chronic.

Billboard was able to sit down with the Regulator to discuss his YouTube Originals documentary G-Funk and his influence on rap.

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Jason Mitchell

INTERVIEW: Jason Mitchell & Algee Smith On Importance Of Detroit Riots’ History

Originally posted on HipHopDX 8/4/2017

The young careers of Jason Mitchell and Algee Smith have already been promising. Breaking out as Eazy-E in 2015’s Straight Outta Compton and Ralph Tresvant in this year’s New Edition biopic respectively, both Jason and Algee’s trajectory couldn’t be higher. 

Kathryn Bigelow’s visceral and harrowing new movie Detroit based on real events brings the two together with the 1967 civil uprising in Detroit as the backdrop. Algee plays Larry Cleveland Reed, lead singer of soul group The Dramatics and Jason depicts 17-year-old Carl Cooper, who was viciously executed by a white Detroit police officer.



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Bizzy

INTERVIEW: Bizzy Bone Talks Why He Refuses To Watch Both 2Pac & Biggie Biopics

Originally posted on HipHopDX 6/28/2017

While the 90s were being dominated by the boom-bap of the East Coast and the G-funk gangsta rap of the West Coast, there was a different sound independent of both coasts brewing in the Midwest. Chicago introduced the rapid-fire flow to the game in 1992 with Twista and Crucial Conflict opted for more style than speed in 1993; but in 1994, an unknown quintet from Cleveland would catch the ear of Eazy-E and marry the rapid-fire flow and style together in perfect harmony. Bone Thugs-n-Harmony has been a pillar of the genre for more than two decades. Just two days after the 23rd anniversary of one of the most important albums to come out of the Midwest, Creepin on ah Come Up, group members Bizzy Bone and Krayzie Bone released their collaborative album New Waves under the moniker Bone Thugs. Bizzy Bone recently stopped by DXHQ to talk with the #DXLive team about the album, his son carrying his torch, and his memories of 2Pac and Notorious B.I.G.

On a recent episode of #DXLive, the team debuted a new single and video “Bizzy’s In The House” from Bizzy Bone’s son Lil Bizzy. “He’s been musically inclined since he was a baby,” Bizzy Bone said. “I never had to rock him to sleep. We’d put him on the couch and he’d just rock himself to sleep mumbling words, mumbling rap music. Anything that would come on he would mumble it and emulate it, especially my stuff of course – and his uncles, Bone Thugs. He was born to do this. It’s just good to see him carry on a legacy that I’m still cherishing as we speak.”

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MC Eiht

INTERVIEW: MC Eiht Reveals Origins Of Shelved Movie Opposite Bernie Mac & Lisa Raye

Originally posted on HipHopDX 6/27/2017

Perhaps one of the biggest mysteries of MC Eiht’s career is that we never saw him in a major role on the big screen after his standout performance in Menace II Societyas the cap-pillin’ South Central native, A-Wax. While the Compton MC explains his lack of interest in Hollywood, he divulges of a potential Blackbuster hit that was seized by the feds before it could ever see the light of day. 

“I’ve never really actually went after movie roles,” Eiht explained during a recent episode of #DXLive.” [If] somebody felt that I was fit for a part or do good in a particular situation then I would usually just let them come and ask me if I wanna get down. As far as like getting an agent and going after movie roles, I never got into that. I was strictly emceeing. That was my thing. A lot of times when you get into the Hollywood thing, you gotta conform to somebody you really don’t want to be or they try to change you into something. I just felt that trying to keep my own authentic direction with music that I wouldn’t go after roles. It’s not like people didn’t call me but a lot of stuff was comedy shit, a lot of stuff was Uncle Tom shit so I just backed away from it. I did Menace II Society and then that came with Thicker Than Water and then I had a little role in the Freeway Rick story. Just little bullshit. Who Made The Potato Salad, I did a little role. Then I shot a movie in Chicago that was called Reasons but it was government, political drug shit so they seized the movie and it never came out. We shot this movie maybe 15 years ago. Bernie Mac was in it. Lisa Raye was in it. It was a drug movie. A dude called Nathaniel Hill; he was a pretty big drug dealer and he basically made a movie about it. They seized the movie because he basically told the story of how he came up. He was on a worldwide run, they extradited him from Africa. We shot it in Chicago. It took us maybe four months to shoot it. Real big movie. Spike Lee’s producer [Monty Ross] directed it. It was gon’ be a big, large movie. I played the lead role. It was a real neighborhood pic but it was governments and indictments and courts and all that; followings and grand jury’s so they basically seized the movie.”

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Mic Drop

EDITORIAL: Farewell, Barack!

Originally posted on HipHopDX 1/21/2017

Dear President Obama,

As a wide-eyed 24-year-old black man in the Metro Detroit area, I walked into my local polling place wearing my “Fuck Joe The Plumber” t-shirt in 2008 to cast my vote. For the first time in my life, I had the opportunity to participate in an American government system I never felt represented me until you shook my foundation. Like many of my contemporaries, I’ve never seen a government that I felt represented me let alone look like me. Sure, I can remember parts of Coleman A. Young’s 20 years as Detroit’s Mayor and Dennis Archer’s stint as Mayor on a local level. But a black man as President? That was unfathomable.

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M1

ALBUM REVIEW: M-1 & Bonnot – Between Me And The World

Originally posted on HipHopDX 5/23/2016
Rating: 3.3/5

Inspired by famed black author and journalist Ta-Nehisi Coates, the dead prez’s most outspoken member M-1 grabs his Italian tag team partner and producer for their second album together Between Me and the World. Sitting down with DX in February, M-1 described his process for the album having recording it in Italy at a time where America was dealing with the outcome of Mike Brown, Eric Garner, and Freddie Gray, “Soon there’s going to be a solution that was the same as it always was. People aren’t going to accept the same old conclusions about how we’re treated here and what justice really means.”

Built on a platform of black power and edutainment that dates back to 1996, Between Me and the World follows the script he and his group member stic.man created two decades ago. That familiarity serves as both comfort for a loyal fan base and as a hindrance for those who look for their artists to grow their style within the current climate. M-1, while always potent and poignant in his message, doesn’t quite hit the mark with the entertainment appeal.

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