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Tag: <span>Eric Bellinger</span>

Boomiverse

ALBUM REVIEW: No Oomph In Big Boi’s “Boomiverse”

Originally posted on HipHopDX 6/26/2017

For a legend that helped usher in an entire city and region to prominence, Big Boi is comfortably perched within the lexicon of Hip Hop icons. There’s no denying Daddy Fat Sax’s dominance and confidence throughout his career. Unfortunately, the ATLien’s solo game hasn’t paralleled his tenure within the mighty Outkast and his fourth (if you rightfully count the Grammy Award-winning Speakerboxxx) solo effort in Boomiverse isn’t going to change that. 

Sonically, Boomiverse traverses through a landscape of overused synths to force a cosmic, universal theme devoid of the “boom” the title alludes to. What should have been a blockbuster affair with all-star Hip Hop production courtesy of Organized Noize, DJ’s Dahi and DJ Khalil, Scott Storch, and Mannie Fresh largely comes up short in an attempt to incorporate too many musical genres into one singular product. The finished result is a clusterfuck of inconsistent harmonies, which will surely bring out the Nick Young puzzled faces.

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E-40

ALBUM REVIEW: E-40 – The D-Boy Diary

Originally posted on HipHopDX 12/2/206
Rating: 3.6/5

Longevity and Hip Hop aren’t words that are commonly synonymous. There’s keeping your name relevant throughout the years and then there’s being able put out a consistent body of work to match. The Bay Area leads the league in all of those statistical categories thanks to E-40. The dual book D-Boy Diary stands as 40’s 23rd and 24th studio albums and slowing down is not the motto here. But with this latest album set coming in at 44 tracks over the course of three hours, perhaps it’s time Charlie Hustle paced himself a little better.

By the way, that wasn’t a typo. The D-Boy Diaries are an asinine 44 tracks in length, spanning over the course of an entire Lord of the Rings movie. Yep, you can ghostride the whip all the way to Mordor and still have some E Fonzarelli music to spare. That’s the thing about being indie; an A&R to help you vet bad ideas is always ideal. If there’s anyone who could pull it off, however, it’s Earl Stevens. Despite having a rollout longer than a lot of current MC’s entire discography, E-40 shows why he had been able to remain relevant over the past four decades.

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